ICMC Hamburg 2026
Program
Events
Events
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[Off-ICMC] Installations and Performances: “Transition | Tension | Potential”
Kunstverein Harburger Bahnhof Hannoversche Straße 85 (at the train station above platform 3&4), Hamburg, GermanyBetween platforms 3 and 4 at Harburg railway station, the displays of the Kunstverein Harburger Bahnhof present materials and objects in transformation. They don’t show finished forms, but processes and…
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Installation | Healing Soundscapes (invited)
Hamburg University of Technology, Building J, Library (Rotunde) Denickestraße 22, Hamburg, GermanyHealing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Paper Session 1a: History of Computer Music
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Hyunmook Lim; Paulo C. Chagas; Andrea Agostini
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[Off-ICMC] Festival Opening
Harburg Info Hölertwiete 6, Hamburg, GermanyWe’re kicking off the festival week at Hölertwiete near the Harburg Rathaus S-Bahn station. The Harburg Info center will serve as the festival hub for three days.
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Paper Session 2a: Music Information Retrieval
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Axel Berndt, Aida Amiryan-Stein, Manuel Peters, Meinard Müller and Stefan Balke; Mário Pereira, António Sá Pinto, Treasa Harkin and Gilberto Bernardes, Gilberto Bernardes; Nádia Moura and António Sá Pinto
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Paper Session 2b: AI & Music
Hamburg University of Technology, Building H, Ditze Hörsaal (H 0.16) Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Hiroshi Yamato OrbitScore; Piero Poli; Minami Kojima, Takayuki Itoh and Rafael Ramirez
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Listening Room 2
Hamburg University of Technology, Building A (A 0.14) Am Schwarzenberg-Campus 1, Hamburg, GermanyFixed media pieces by: Ayako Sato; Chufan Zhang, Jun Wang and Qi Liu; Akiko Hatakeyama; Boyi Bai; Ed Osborn; Adrian Kleinlosen; Yu Linke
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Listening Room 1
Hamburg University of Technology, Building A (A 0.18) Am Schwarzenberg-Campus 1, Hamburg, GermanyFixed media pieces by: Liuyang Tan and Tan Liuyang; Yiting Shao; Cristiano Riccardi; Yerim Han; Weijia Yang; Wanjun Yang; Jinwoong Kim; Talia Amar, Talia Amar and Talia Amar; Jingfan Guo; Shih-Lin Hung and Ju An Hsieh; Yunpeng Li; Qing Ye and Yuxue Zhou; Raphael Radna
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Installation | Miles Friday: “Breathwork”
Hamburg University of Technology, Building A (Foyer) Am Schwarzenberg-Campus 1, Hamburg, GermanyBreathwork is a twelve-channel sound installation where loudspeakers become breathing bodies. Each loudspeaker is encased in an inflatable bag that swells and contracts in response to low-frequency drones, forming a slow, ever-shifting breath-like choreography.
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Installation | Alessandro Anatrini & Alessandro Aresta: “Faulty Oracle”
Hamburg University of Technology, Building A, Videospace I (A 1.27) Am Schwarzenberg-Campus 1, Hamburg, GermanyFaulty Oracle is an adaptive audiovisual installation that conjures a gloriously unreliable divinatory machine. Visitors pose questions through body language: gestures, movements, postures which the system interprets, misreads, and willfully transforms. In return, the oracle delivers cryptic animated answers, flickering between epiphany, nonsense, and hallucination.
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Installation | Dahye Seo: “Unscored”
Hamburg University of Technology, Building A, Videospace II (A 2.34) Am Schwarzenberg-Campus 1, Hamburg, GermanyA camera installed on a balcony captures the live sky, converting it into generative sound in real time.
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Installation | Juan Hernández: “Helium Burning”
Hamburg University of Technology, Building N (Foyer) Eißendorfer Straße 40, Hamburg, GermanyNuclear reactions in stars create a wide variety of chemical elements, starting from hydrogen — in Carl Sagan’s words, 'by a kind of stellar alchemy’. This process is known as stellar nucleosynthesis. Helium Burning is conceived as a generative system that addresses the affordances of such astronomical processes to explore timbral plasticity through digital sound synthesis in an 8-channel sound installation.
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Installation | Bill Parod & Teresa Parod: “The Elephants of Trianon”
Hamburg University of Technology, Outdoor Area II Am Schwarzenberg-Campus 1, Hamburg, GermanyThe Elephants of Trianon is an augmented-reality audiovisual installation that extends a series of public murals into an interactive spatial sound environment. The original work consists of ten adjacent murals painted on garage doors in a public alley in Evanston, Illinois, USA.
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Installation | Zhao Jiajing: “Omniopticon”
Hamburg University of Technology, Building A, Installation Space (A 3.35.1) Am Schwarzenbergcampus 1, Hamburg, GermanyOmniopticon invites visitors to step inside a constantly shifting field of sound.
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Installation | Henry Windish, Tristan Peng & Henrik von Coler: “MËSH”
Stellwerk Hamburg Hannoversche Straße 85, Hamburg, GermanyMËSH is an immersive, networked music and media system that blends interactive installation with live performance. Developed since 2019, MËSH uses a distributed array of interactive nodes to create a responsive audiovisual environment. Depending on the venue, installations range from 4 to 16 interconnected nodes communicating over a wireless local network.
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Installation | Adriano C. Monteiro & Rafaela B. Pires: “DE/RE:GENERATION”
Stellwerk Hamburg (Lounge) Hannoversche Str. 85, Hamburg, GermanyDe/Re:Generation stems from a speculative question: would cicadas sense acoustic information during the up to 17 years they live underground, before emerging from the soil for a brief adult phase marked by intense acoustic display? From this perspective, the installation approaches sound not only as an auditory phenomenon, but as something sensed through the body, making vibration and tactile perception central to the experience.
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[Off-ICMC] Workshop: Code the Beat – Learn to Code through Music
Hamburg University of Technology, Building F, NIT-Pool (R.E07) Am Schwarzenberg-Campus 3, Hamburg, GermanyIn this workshop, you will compose your own music using the program Sonic Pi. Are you passionate about music? Discover a new form of expression while learning to code.
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Lunch Concert 1A
Hamburg University of Technology, Building I, Audimax 2 Denickestraße 22, Hamburg, GermanyPieces by: Sever Tipei; Michael Edwards; Rodrigo Cadiz and Thierry Miroglio; Sunhuimei Xia; Zoe Yi-Cheng Lin; Deniz Çağlarcan; Jeffrey T.V.
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INTREPID: Mittagskonzert #001 zur ICMC HAMBURG 2026
Technische Universität Hamburg, Gebäude I, Audimax 2 Denickestraße 22, Hamburg, GermanyDieses erste Mittagskonzert bietet einen Einblick in die aktuelle internationale Computermusik-Szene. Das Besondere an diesem Konzert ist die persönliche Präsenz der Kunstschaffenden.
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Introduction & Welcome to ICMC HAMBURG 2026
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyICMC HAMBURG 2026 welcomes this year's conference community to Hamburg. On this first full conference day, the team shares a few words about the week's program before Robert Henke gives his keynote about his life as a toolmaking artist.
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Keynote | Robert Henke: “My Life as a Toolmaking Artist: A Personal Reflection on the Challenges and Rewards of Building My Own Instruments”
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyRobert Henke examines selected works of his from a critical toolmaker’s perspective: did he reinvent the wheel again, or did he achieve an artistic outcome which justifies the effort?
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[Off-ICMC] Stilt Performance | Oakleaf Streetshow: Insect-o-lectic”
Harburg Info Hölertwiete 6, Hamburg, GermanyA combination of stilt dancing, body percussion, and cutting-edge sound technology. The street performance group Oakleaf Streetshow is headed to Harburg with an interactive walking act. Bizarre, colorful creatures on stilts buzz through the crowd—creatures that not only look like beetles but sound like them, too.
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Workshop | Serge Lemouton, Jacques Warnier, Malena Fouillou, and Laurent Pottier: Practical Documentation and Collaborative Preservation using Antony
Hamburg University of Technology, Building H (H 0.02) Am Schwarzenberg-Campus 5, Hamburg, GermanyThe goal of this hands-on workshop is to show, for the first time in an international context, the Antony system, now in its final state and fully functional.
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[Off-ICMC] Concert: Nenad Nikolić – Accordeon meets Techno
Harburg Info Hölertwiete 6, Hamburg, GermanyNenad Nikolić was born in Serbia and has always been fascinated by his father and grandfather’s accordion playing. But mechanical sounds are from the past. Nenad plays without backing tracks, performing every single tone live—from “tango to techno.” Don’t miss this chance to see him push the boundaries of his instrument with his electronic accordion.
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Evening Concert 1B
Friedrich-Ebert-Halle Alter Postweg 34, Hamburg, GermanyArtists: Richard Dudas; Vincenzo Russo; Rikako Kabashima; Jean-François Charles and Ramin Roshandel; Kotoka Suzuki and Michael Murphy; Yu Chung Tseng; João Pedro Oliveira
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INTREPID: Abendkonzert #001 zur ICMC HAMBURG 2026
Friedrich-Ebert-Halle Alter Postweg 34, Hamburg, GermanyDieses Abendkonzert markiert eine besondere Zusammenarbeit zwischen der internationalen ICMC-Gemeinschaft und der Hamburger Musikszene.
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Club Concert 1C
ligeti center, Production Lab (10th floor) Veritaskai 1, Hamburg, NY, GermanyComposers: Keisuke Yagisawa; Riccardo Ancona; Brian Lindgren; Riccardo Mazza; John C.S. Keston; Nicola Leonard Hein and Viola Yip; Kasey Pocius
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Installation | Healing Soundscapes (invited)
Hamburg University of Technology, Building J, Library (Rotunde) Denickestraße 22, Hamburg, GermanyHealing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Paper Session 3a: Music Notation & Representation I
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Tianze Zhang, Shingyui He and Lei Xuan; Juan Carlos Vasquez and Zhonghao Chen; Rob Canning
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Paper Session 3b: Physiological and Physical Foundations of Creative Systems I
Hamburg University of Technology, Building H, Ditze Hörsaal (H 0.16) Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Amir Abbas Orouji, Ayoub Banoushi and Gilberto Bernardes; Nikolaus Knop; Ruby Crocker, Lucas Ong and George
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Workshop | Weiyi Dai: From Objects to Soundscapes: Participatory Spatial Composition through Data-Driven Multimodal Systems
Hamburg University of Technology, Building H (H 0.02) Am Schwarzenberg-Campus 5, Hamburg, GermanyThis workshop offers hands-on experience with Full House, a multimodal soundscape system designed specifically for participatory spatial composition. Through a real time data driven architecture, the system transforms the manipulation of physical objects into continuous spatial sound and visual processes.
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[Off-ICMC] Workshop: Creating Sounds with Fruit and Vegetables
Harburg Info Hölertwiete 6, Hamburg, GermanyCome and let your creativity run free at our composition workshop. We’ve got plenty of small musical instruments and a loop station ready for you. Play a fruit and vegetable piano, record sounds and play them back, and discover how to create your own beats.
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Paper Session 4a: Music Notation & Representation II
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Rodrigo Cadiz; Solomiya Moroz, Nicolo Merendino and Massimo Sterlino; Orm Finnendahl
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Paper Session 4b: Physiological and Physical Foundations of Creative Systems II
Hamburg University of Technology, Building H, Ditze Hörsaal (H 0.16) Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Rolf Bader and Simon Linke; Tim Ziemer; Simon Linke, Rolf Bader and Robert Mores
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[Off-ICMC] Workshop: Music without Touch – Build your own Theremin!
Hamburg University of Technology, WorkINGLab Eißendorfer Straße 40, Building N, 2nd Floor, Hamburg, GermanyNo keys, strings, or even physical contact: In this workshop, you’ll have the opportunity to build your own theremin using electronic components.
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Workshop | Henry Windish, Tristan Peng and Henrik von Coler: Working with MËSH: Advanced Tools and Strategies for Networked Instruments in Music and Sound Art
Stellwerk Hamburg Hannoversche Straße 85, Hamburg, GermanyThis workshop introduces MESH, a portable, wireless system for distributed music performance and interactive installation. Designed as a flexible alternative to infrastructure-heavy networked ensembles, MESH enables performers to create spatially distributed musical systems using compact, self-contained nodes that communicate over a wireless network.
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Listening Room 2
Hamburg University of Technology, Building A (A 0.14) Am Schwarzenberg-Campus 1, Hamburg, GermanyFixed media pieces by: Hyewon Kim; Rodney Waschka; Chun-Han Huang; Vadim D. Genin; Adam Stanovic; Takumi Harada; Ziyu Pang; Ray Tsai; Giancarlo Alfonso
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Listening Room 1
Hamburg University of Technology, Building A (A 0.18) Am Schwarzenberg-Campus 1, Hamburg, GermanyFixed media pieces by: Sam Wells; Zihan Wang and Wenxin Zhou; Robert Sazdov ; Sebastiano Naturali; Yunze Mu; Clemens von Reusner; Youngjae Cho; Primrose Ohling; Iván Ferrer-Orozco; Andrea Laudante, Paolo Montella and Giuseppe Pisano; Teerath Majumder; Yu Qin; Wei Yang; Gabriel Araújo; James Harley; Raul Masu and Francesco Ardan Dal Ri
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Installation | Miles Friday: “Breathwork”
Hamburg University of Technology, Building A (Foyer) Am Schwarzenberg-Campus 1, Hamburg, GermanyBreathwork is a twelve-channel sound installation where loudspeakers become breathing bodies. Each loudspeaker is encased in an inflatable bag that swells and contracts in response to low-frequency drones, forming a slow, ever-shifting breath-like choreography.
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Installation | Alessandro Anatrini & Alessandro Aresta: “Faulty Oracle”
Hamburg University of Technology, Building A, Videospace I (A 1.27) Am Schwarzenberg-Campus 1, Hamburg, GermanyFaulty Oracle is an adaptive audiovisual installation that conjures a gloriously unreliable divinatory machine. Visitors pose questions through body language: gestures, movements, postures which the system interprets, misreads, and willfully transforms. In return, the oracle delivers cryptic animated answers, flickering between epiphany, nonsense, and hallucination.
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Installation | Dahye Seo: “Unscored”
Hamburg University of Technology, Building A, Videospace II (A 2.34) Am Schwarzenberg-Campus 1, Hamburg, GermanyA camera installed on a balcony captures the live sky, converting it into generative sound in real time.
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Installation | Bill Parod & Teresa Parod: “The Elephants of Trianon”
Hamburg University of Technology, Outdoor Area II Am Schwarzenberg-Campus 1, Hamburg, GermanyThe Elephants of Trianon is an augmented-reality audiovisual installation that extends a series of public murals into an interactive spatial sound environment. The original work consists of ten adjacent murals painted on garage doors in a public alley in Evanston, Illinois, USA.
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Installation | Finlay Graham: an egg with fouled neurons
Hamburg University of Technology, Building N (Foyer) Eißendorfer Straße 40, Hamburg, Germanyan egg with fouled neurons is a variable duration installative performance on a synthesizer fully coded by the composer in MaxMSP which utilizes a post-tonal framework to transform large harmonic sets, preserving the fidelity of harmonic intervals while transforming harmonic identity, allowing for movement through a complex harmonic pattern.
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Installation | Zhao Jiajing: “Omniopticon”
Hamburg University of Technology, Building A, Installation Space (A 3.35.1) Am Schwarzenbergcampus 1, Hamburg, GermanyOmniopticon invites visitors to step inside a constantly shifting field of sound.
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Installation | Henry Windish, Tristan Peng & Henrik von Coler: “MËSH”
Stellwerk Hamburg Hannoversche Straße 85, Hamburg, GermanyMËSH is an immersive, networked music and media system that blends interactive installation with live performance. Developed since 2019, MËSH uses a distributed array of interactive nodes to create a responsive audiovisual environment. Depending on the venue, installations range from 4 to 16 interconnected nodes communicating over a wireless local network.
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Installation | Adriano C. Monteiro & Rafaela B. Pires: “DE/RE:GENERATION”
Stellwerk Hamburg (Lounge) Hannoversche Str. 85, Hamburg, GermanyDe/Re:Generation stems from a speculative question: would cicadas sense acoustic information during the up to 17 years they live underground, before emerging from the soil for a brief adult phase marked by intense acoustic display? From this perspective, the installation approaches sound not only as an auditory phenomenon, but as something sensed through the body, making vibration and tactile perception central to the experience.
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Lunch Concert 2A
Hamburg University of Technology, Building I, Audimax 2 Denickestraße 22, Hamburg, GermanyMusic by: Salvatore Siriano; Huixin Xue; Benjamin Broening; Wan Heo; Jonathan Wilson; Christopher Dobrian; Mark Whitlam
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INTREPID: Mittagskonzert #002 zur ICMC HAMBURG 2026
Technische Universität Hamburg, Gebäude I, Audimax 2 Denickestraße 22, Hamburg, GermanyDas zweite Mittagskonzert der ICMC HAMBURG 2026 führt die Zuhörer:innen auf eine Reise durch verschiedene Kulturen und technologische Ansätze.
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[Off-ICMC] Workshop: Creating Sounds with Fruit and Vegetables
Harburg Info Hölertwiete 6, Hamburg, GermanyCome and let your creativity run free at our composition workshop. We’ve got plenty of small musical instruments and a loop station ready for you. Play a fruit and vegetable piano, record sounds and play them back, and discover how to create your own beats.
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Keynote | Falk Hübner: “The artist-researcher as a connector in times of crises: Some questions to computer music”
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyIn this lecture, Falk Hübner will offer various examples of such socially engaged artistic research projects, and discuss the persona of the artist-researcher as a "connector" and the methodological consequences such a positionality implies. From this perspective, he develops a series of questions to the field of computer music, to explore and discuss bridges and potential connections between topics of socially engaged artistic research and the disciplines and discourses of (research in and through) computer music.
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Workshop | Thomas Meckel, Dennis Scheiba and Moritz Wesp: SONA – Audio-VR
Hamburg University of Technology, Building H (H 0.02) Am Schwarzenberg-Campus 5, Hamburg, GermanyThe workshop combines a presentation and discussion of the artistic and technical background with a hands-on opportunity to test SONA – Diving in the Dark.
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Panel A: Physiological and Physical Foundations of Creative Systems
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyThis panel explores how artistic and creative systems can be understood through physiological and physical models of perception, cognition, and material interaction.
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Evening Concert 2B
Friedrich-Ebert-Halle Alter Postweg 34, Hamburg, GermanyComposers: Riccardo Dapelo; Ching Lam Chung; Yongbing Dai and Yiping Bai; Nicolas Kummert; Jean-Francois and Charles Ramin Roshandel; Franz Danksagmüller
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INTREPID: Abendkonzert #002 zur ICMC HAMBURG 2026
Friedrich-Ebert-Halle Alter Postweg 34, Hamburg, GermanyDas zweite Abendkonzert der ICMC HAMBURG 2026 verspricht ein besonderes Erlebnis für Augen und Ohren.
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[Off-ICMC] Ctrl+Alt+Music: The Science Slam on Music in the Digital Age
Kultur Palast Harburg Rieckhoffstraße 14, Hamburg, GermanyCurtain up for new sounds, science, and research! At our Science Slam, the field of computer music is presented in clear, engaging, and entertaining talks. Speakers have ten minutes to try to score as many points as possible using PowerPoint presentations and (live) music. The audience decides who wins.
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Club Concert 2C
ligeti center, Production Lab (10th floor) Veritaskai 1, Hamburg, NY, GermanyComposers: Fernando Lopez-Lezcano; Jules Rawlinson; Atsushi Tadokoro; Nicola Casetta; Julian Green; Doron Klant Sadja; Aaron Einbond; Claudia Robles Angel
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zl!ster Performance | MËSH Installation
Stellwerk Hamburg Hannoversche Straße 85, Hamburg, GermanyMore info to follow
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Installation | Healing Soundscapes (invited)
Hamburg University of Technology, Building J, Library (Rotunde) Denickestraße 22, Hamburg, GermanyHealing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Paper Session 5b: AI, Machine Learning & Pedagogy
Hamburg University of Technology, Building H, Ditze Hörsaal (H 0.16) Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Jeff Kaiser and Gregory Taylor; Nicolas Brochec and Jean-Louis Giavitto; Minami Kojima, Takayuki Itoh and Rafael Ramirez
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Paper Session 5a: Novel Concepts in 3D Audio
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Laura Call Gomez, Gabriel Decker, Jayson Faupel, Aditya Rajesh Pawar, Jacob Westerstahl, Henrik von Coler; Teresa Carrasco; Mauro Cantonetti, Paolo Malpeli, Alessandro Anatrini
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Paper Session 6b: AI & Machine Learning
Hamburg University of Technology, Building H, Ditze Hörsaal (H 0.16) Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed: Giovanni Roma and Alba Francesca Battista; Abhirup Saha, Hans-Ulrich Berendes, Meinard Müller and Ben Maman; Yu Foon Darin Chau and Andrew Horner
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Paper Session 6a: Immersive Media & 3D Audio
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyTwo papers will be presented and discussed. Authors: Felipe Otondo and Leonardo Santos; Yu Chia Kuo
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Workshop | Dennis Scheiba & Julian Rohrhuber: User = Developer: How to contribute to SuperCollider development
ligeti center, 9th floor Veritaskai 1, Hamburg, GermanySuperCollider, being a free and open-source project, stands in contrast to non-open projects in that it doesn’t impose technical and legal barriers to users accessing and modifying its inner workings.
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Listening Room 2
Hamburg University of Technology, Building A (A 0.14) Am Schwarzenberg-Campus 1, Hamburg, GermanyFixed media pieces by: Jeonghun Hyun; Thanos Polymeneas-Liontiris; Ray Tsai; Juan J.G. Escudero; Emilio Casaburi; Yi-Hsien Chen; Pingting Xiao; Xiaoyu Su; Pak Hei Leung
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Listening Room 1
Hamburg University of Technology, Building A (A 0.18) Am Schwarzenberg-Campus 1, Hamburg, GermanyFixed media pieces by: Mikel Kuehn; Joan Tan; Taito Fushimi; Andreas Weixler; Wonseok Choi; Hector Bravo Benard; Tom Bañados Russell; Felipe Tovar-Henao; Kim Hedås; Sean Peuquet; Juan Carlos Vasquez; Wen-Chia Lien; Tomás Koljatic S.; David Nguyen; Hanae Azuma; Jong Gyun Kim
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Installation | Miles Friday: “Breathwork”
Hamburg University of Technology, Building A (Foyer) Am Schwarzenberg-Campus 1, Hamburg, GermanyBreathwork is a twelve-channel sound installation where loudspeakers become breathing bodies. Each loudspeaker is encased in an inflatable bag that swells and contracts in response to low-frequency drones, forming a slow, ever-shifting breath-like choreography.
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Installation | Alessandro Anatrini & Alessandro Aresta: “Faulty Oracle”
Hamburg University of Technology, Building A, Videospace I (A 1.27) Am Schwarzenberg-Campus 1, Hamburg, GermanyFaulty Oracle is an adaptive audiovisual installation that conjures a gloriously unreliable divinatory machine. Visitors pose questions through body language: gestures, movements, postures which the system interprets, misreads, and willfully transforms. In return, the oracle delivers cryptic animated answers, flickering between epiphany, nonsense, and hallucination.
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Installation | Dahye Seo: “Unscored”
Hamburg University of Technology, Building A, Videospace II (A 2.34) Am Schwarzenberg-Campus 1, Hamburg, GermanyA camera installed on a balcony captures the live sky, converting it into generative sound in real time.
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Installation | Pasquale Savignano: “SURROUNDINGS”
Hamburg University of Technology, Outdoor Area I Am Schwarzenberg-Campus 1, Hamburg, GermanySURROUNDINGS is a site-specific sound installation that transforms walking, listening, and spatial memory into a continuously unfolding sonic environment. The work is built from GPS-tracked field recordings captured through attentive movement in and around the exhibition site.
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Installation | Bill Parod & Teresa Parod: “The Elephants of Trianon”
Hamburg University of Technology, Outdoor Area II Am Schwarzenberg-Campus 1, Hamburg, GermanyThe Elephants of Trianon is an augmented-reality audiovisual installation that extends a series of public murals into an interactive spatial sound environment. The original work consists of ten adjacent murals painted on garage doors in a public alley in Evanston, Illinois, USA.
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Installation | Tina Tallon: “yammer”
Hamburg University of Technology, Building N (Foyer) Eißendorfer Straße 40, Hamburg, Germanyyammer is an interactive audio installation and performance environment that questions the ambiguities and limitations inherent in attempts to describe and represent music and other complex human expressive sonic events using commonplace ontologies in audio classification systems and large language models.
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Workshop | Moritz Wesp, Eric Haupt and Victor Gelling: oscheat
ligeti center, Production Lab (10th floor) Veritaskai 1, Hamburg, NY, Germanyoscheat is a work-in-progress multi-user interface based on OSC. Its purpose is to simplifyand formalise shared, real-time control of musical parameters across an ensemble. Instead of separating instruments by performer, oscheat functions as a collective parameter space in which all participants can change each other’s instrument sound generation, spatialization, tonal systems or rhythmic structures.
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[Off-ICMC] Interactive Installation | Anouk Kellner: “Airchoir inter/reactive”
Hamburg University of Technology, Building C Am Schwarzenberg-Campus 4, Hamburg, GermanyThe interactive sound installation Airchoir consists of eight inflatable figures that breathe in and out like living lungs. Their voices are heard through the organ pipes to which they are connected. Like a choir, they come together to form a multi-layered soundscape that constantly changes with the movement of the visitors.
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Lunch Concert 3A
Hamburg University of Technology, Building I, Audimax 2 Denickestraße 22, Hamburg, GermanyComposers: Juan Vassallo; Yoonjae Choi; Heloise Garry; Masatsune Yoshio and Athushi Mori; Mikako Mizuno; Jeffrey T.V.; Jian Feng
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INTREPID: Mittagskonzert #003 zur ICMC HAMBURG 2026
Technische Universität Hamburg, Gebäude I, Audimax 2 Denickestraße 22, Hamburg, GermanyDieses Mittagskonzert bietet eine faszinierende Bühne für Steinway Spirio – das weltweit fortschrittlichste Selbstspielsystem für Flügel.
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Workshop | Dan Wilcox: Introduction to Zirkonium3: ZKM’s Sound Spatialization Environment
ligeti center, Production Lab (10th floor) Veritaskai 1, Hamburg, NY, GermanyZirkonium is a free spatialized sound environment for the ZKM | Hertzlab, formerly ZKM | Institute for Music and Acoustics, which wraps various spatialization algorithms and abstracted speaker layouts with a path sequencing interface designed for composers in mind.
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Special Panel: Clarence Barlow
Hamburg University of Technology, Building H, Ditze Hörsaal (H 0.16) Am Schwarzenberg-Campus 5, Hamburg, GermanyPanelists: Fabian Czolbe, Bernd Härpfer, John Chowning, Anne Wellmer; Moderator: Georg Hajdu
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Piece & Paper Session
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyThree pieces & papers will be presented. Composers/authors: Xiangbin Lin; Kyle Smith; Nikos Baskozos
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[Off-ICMC] Installation | Adriano C. Monteiro & Rafaela B. Pires: “DE/RE:GENERATION”
Stellwerk Hamburg (Lounge) Hannoversche Str. 85, Hamburg, GermanyDe/Re:Generation stems from a speculative question: would cicadas sense acoustic information during the up to 17 years they live underground, before emerging from the soil for a brief adult phase marked by intense acoustic display? From this perspective, the installation approaches sound not only as an auditory phenomenon, but as something sensed through the body, making vibration and tactile perception central to the experience.
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[Off-ICMC] Installation & Performance | Andrea Mancianti & Tom De Cock: “Autophagy III”
Stellwerk Hamburg Hannoversche Straße 85, Hamburg, GermanyAutophagy III is a participatory installation that visitors can walk through and interact with: the interplay of small percussion instruments, sixteen suspended sound sources, and an interactive lighting system creates an immersive soundscape.
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Banquet
Speicher am Kaufhauskanal Blohmstraße 22, Hamburg, GermanyJoin us for the ICMC HAMBURG 2026 Banquet at the exceptional Speicher am Kaufhauskanal – one of Harburg’s most atmospheric historic venues.
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[Off-ICMC] Concert | Florentin Ginot: “Disturbance”
Stellwerk Hamburg Hannoversche Straße 85, Hamburg, Germany“Disturbance” is an audiovisual solo performance that blends elements of concert, video art, and theater. With his double bass and analog synthesizers, Florentin Ginot invites the audience on a live nocturnal journey. Past and present collide with ghostly glitches and pulsating electronic rhythms.
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Club Concert 3C
Speicher am Kaufhauskanal Blohmstraße 22, Hamburg, GermanyComposers: Fernando Egido; Juan Arturo Parra Cancino; Jonathan Wilson; Enrique Tomás and Moisés Horta Valenzuela; Se-Lien Chuang and Andreas Weixler; Oscar Corpo; Rob Canning; Denis Polec Vocal
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Installation | Healing Soundscapes (invited)
Hamburg University of Technology, Building J, Library (Rotunde) Denickestraße 22, Hamburg, GermanyHealing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Paper Session 7b: Interactive Media I
Hamburg University of Technology, Building H, Ditze Hörsaal (H 0.16) Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Adriano C. Monteiro and Rafaela B. Pires; Guanjun Qin, Yunxuan Jia and Neal Farwell; Sitong Wu and Jinshuo Feng
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Paper Session 7a: Signal Processing I
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Neal Anderson and Sanjay Majumder; Sam Pluta and Ted Moore; Tian Cheng, Tomoyasu Nakano and Masataka Goto
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Workshop | Rob Canning: Executable Scores: Embedded Cue Semantics and Animated SVG Notation with Oscilla
Hamburg University of Technology, Building H (H 0.02) Am Schwarzenberg-Campus 5, Hamburg, GermanyThis workshop introduces Oscilla, a browser-based framework for animated, cue-driven graphic scores in which performance semantics are embedded directly into SVG notation. Rather than separating score, control system, and playback environment, Oscilla treats the score as a single executable surface—authored visually in Inkscape and enacted in real time via a lightweight browser runtime.
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Paper Session 8: Signal Processing II
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyTwo papers will be presented and discussed. Authors: Alexandre Francois; Robert Esler; Jeremy Hyrkas
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Listening Room 2
Hamburg University of Technology, Building A (A 0.14) Am Schwarzenberg-Campus 1, Hamburg, GermanyFixed media pieces by: Felipe Otondo; Yu-Cheng Huang; Leo Cicala; Chen Mu Hsi; Ye Peng; He Jing; Ray Fields; Antonio Scarcia; Lia Su; Seongah Shin; Guanjun Qin
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Listening Room 1
Hamburg University of Technology, Building A (A 0.18) Am Schwarzenberg-Campus 1, Hamburg, GermanyFixed media pieces by: Zoe Yi-Cheng Lin; Yuming Sun; Shunhang Huang; Takeyoshi Mori; Chi Wang; John Thompson; Woon Seung Yeo and Ji Won Yoon; Xingle Zhang; Bike Öner; Tom Williams; Genoël von Lilienstern; Jingyu Luo; Justyna Tobera; Ouyang Mingshan
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Installation: Miles Friday: “Breathwork”
Hamburg University of Technology, Building A (Foyer) Am Schwarzenberg-Campus 1, Hamburg, GermanyBreathwork is a twelve-channel sound installation where loudspeakers become breathing bodies. Each loudspeaker is encased in an inflatable bag that swells and contracts in response to low-frequency drones, forming a slow, ever-shifting breath-like choreography.
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Installation | Alessandro Anatrini & Alessandro Aresta: “Faulty Oracle”
Hamburg University of Technology, Building A, Videospace I (A 1.27) Am Schwarzenberg-Campus 1, Hamburg, GermanyFaulty Oracle is an adaptive audiovisual installation that conjures a gloriously unreliable divinatory machine. Visitors pose questions through body language: gestures, movements, postures which the system interprets, misreads, and willfully transforms. In return, the oracle delivers cryptic animated answers, flickering between epiphany, nonsense, and hallucination.
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Installation | Dahye Seo: “Unscored”
Hamburg University of Technology, Building A, Videospace II (A 2.34) Am Schwarzenberg-Campus 1, Hamburg, GermanyA camera installed on a balcony captures the live sky, converting it into generative sound in real time.
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Installation | Pasquale Savignano: “SURROUNDINGS”
Hamburg University of Technology, Outdoor Area I Am Schwarzenberg-Campus 1, Hamburg, GermanySURROUNDINGS is a site-specific sound installation that transforms walking, listening, and spatial memory into a continuously unfolding sonic environment. The work is built from GPS-tracked field recordings captured through attentive movement in and around the exhibition site.
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Installation | Bill Parod & Teresa Parod: “The Elephants of Trianon”
Hamburg University of Technology, Outdoor Area II Am Schwarzenberg-Campus 1, Hamburg, GermanyThe Elephants of Trianon is an augmented-reality audiovisual installation that extends a series of public murals into an interactive spatial sound environment. The original work consists of ten adjacent murals painted on garage doors in a public alley in Evanston, Illinois, USA.
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Installation | Leon Eckard: “Urban Metabolism: der Mond”
Hamburg University of Technology, Building N (Foyer) Eißendorfer Straße 40, Hamburg, GermanyUrban Metabolism: Der Mond is a cybernetic performance and sound installation that recontextualizes the sociological framework of Urban Metabolism into the domain of electroacoustic improvisation.
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[Off-ICMC] Rehearsal & Concert Visit for Families
Hamburg University of Technology (TUHH) Am Schwarzenberg-Campus 5, Hamburg, GermanyWhat does contemporary music sound like? What happens during the rehearsals? And what challenges might occur? We’ll look into these questions during rehearsal and concert visit for families.
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ICMA General Meeting
Hamburg University of Technology, Building H, Ditze Hörsaal (H 0.16) Am Schwarzenberg-Campus 5, Hamburg, GermanyTBA
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Lunch Concert 4A
Hamburg University of Technology, Building I, Audimax 2 Denickestraße 22, Hamburg, GermanyComposers: Francesco Perissi and Giovanni Magaglio; Natsuki Kambe; Rodrigo Pascale; Roberto Cipollina; Henrik von Coler; Yao Hsiao; Cecilia Suhr
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INTREPID: Mittagskonzert #004 zur ICMC HAMBURG 2026
Technische Universität Hamburg, Gebäude I, Audimax 2 Denickestraße 22, Hamburg, GermanyDieses Mittagskonzert markiert einen herausragenden Moment der Zusammenarbeit zwischen der lokalen Hamburger Musikszene und internationalen Komponist:innen.
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Keynote | Psyche Loui: Scales for Predictions, Creativity, and Music-Based Interventions
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyMusic unites listeners through shared predictions and reward. At the heart of this process is the musical scale—a designed object that quantizes pitch into structures capable of generating and fulfilling expectation. A survey of the world’s scales reveals five core design features and a single overarching dimension of enculturation, ranging from deeply familiar tonal systems to entirely novel sonic environments.
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Paper Session 9: Music & Health
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyTwo papers will be presented and discussed. Authors: Yunze Mu, Lorna Segall and Zhixin Xu; Sophie Rose
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Workshop | Robert Cole Rizzi: The Art of Listening – To Hamburg. A Participatory Soundwalk Workshop
Hamburg University of Technology, Building H (H 0.02) Am Schwarzenberg-Campus 5, Hamburg, GermanyHow does the world sound when we truly listen? In this participatory workshop, participants explore their sonic environment through attentive listening, simple drawing, poetry, and playful composition — no musical experience required.
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Panel: Music, Technology and the Mind
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyPanelists: Lars Rye Bertelsen, Pia Preißler, Miriam Akkermann, Li Xiaobing, and Li Zhong
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[Off-ICMC] Radioballett | Körperfunkkollektiv: “Fragment”
Town Hall Square Harburg Harburger Rathausplatz 1, Hamburg, GermanyRadioballett is an interactive performance that draws you into another world through wireless headphones, where you and other participants can actively shape the space together.
The piece “Fragment” explores the boundaries between private and public life through human experiences in both real and virtual worlds. It invites everyone to reflect on the balance between digital and “offline” existence and to engage with the interplay between social interaction and online networks.
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Evening Concert 4B
Friedrich-Ebert-Halle Alter Postweg 34, Hamburg, GermanyComposers: Joshua Rodenberg and Fumiaki Odajima; Lidia Zielinska; Zihan Wang; Howard Kenty; Naotoshi Osaka; Yixuan Zhao; Javier Alejandro Garavaglia; Danni Zhao and Congren Dai
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INTREPID: Abendkonzert #003 zur ICMC HAMBURG 2026
Friedrich-Ebert-Halle Alter Postweg 34, Hamburg, GermanyDieser Konzertabend präsentiert die gesamte Bandbreite zeitgenössischer Computermusik in kammermusikalischer Besetzung.
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MOVED: Fixed-Media Cinema Screening
Metropolis @ Planet Harburg Herbert-und-Greta-Wehner-Platz, Hamburg, GermanyDue to unforeseen organizational reasons, the Metropolis cinema remains closed until May 15, 2026. All scheduled fixed media pieces have been moved to Listening Rooms and Concerts. The film screening of The Man in the Mangroves counts to Sleep by James A. Moorer et al. will be shown during the Evening Concert 6B on May 16, 2026.
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Club Concert 4C
ligeti center, Production Lab (10th floor) Veritaskai 1, Hamburg, NY, GermanyComposers: Gintas Kraptavicius; Calvin McCormack; Jonathan Impett; Moritz Wesp, Eric Haupt and Victor Gelling; Paulo C. Chagas; Cat Hope and Juan Parra Cancino; Andrew Loveless
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Installation | Healing Soundscapes (invited)
Hamburg University of Technology, Building J, Library (Rotunde) Denickestraße 22, Hamburg, GermanyHealing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Paper Session 10b: Interactive Media II
Hamburg University of Technology, Building H, Ditze Hörsaal (H 0.16) Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Fabian Ostermann; Eun Ji Oh, Jun Woo Beck and Alexandria Smith; Penelope Bekiari and Anastasia Georgaki
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Paper Session 10a: AI & Sonification
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyThree papers will be presented and discussed. Authors: Bob Sturm and Elin Kanhov; Ling Qi, Teng Ma and Alexandria Smith; Changda Ma et al.
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Excursion: Departure to Lübeck
Hamburg University of Technology, Building H Am Schwarzenberg-Campus 5, Hamburg, GermanyBuses to Lübeck depart from Hamburg University of Technology at 10 a.m. on Friday. Please note that, due to limited seating capacity, only participants who have registered for the Lübeck excursion will be able to join.
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Piece & Paper Session
Lübeck University of Music: Kammermusiksaal Große Petersgrube 21, Lübeck, GermanyFour pieces & papers will be presented. Composers/authors: Christopher Trapani; Jocelyn Ho et al.; Xiangbin Lin; Yuan Zhang and Xinran Zhang
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Keynote | James Andy Moorer: History of Computer Music from Mathews to “Man in the Mangroves”
Lübeck University of Music: Kammermusiksaal Große Petersgrube 21, Lübeck, GermanyThe origins of computer music promised unlimited freedom for composers to make music using sounds that no acoustic instrument could make. This freedom comes with a price.
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Workshop | Shelly Knotts, Daniel Ratliff and Lucy Whalley: Sonification and the Space In-Between: Bridging Scientific Inquiry and Musical Practice
Lübeck University of Music: Holstentorhalle, Chorsaal Wallstraße 2, Lübeck, GermanyThis workshop explores the rich interdisciplinary space that lies between computer music composition and scientific inquiry, focusing on sonification as a shared methodology, bridging between disciplines, rather than a discipline-specific technique.
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Workshop | Pierre Alexandre Tremblay, Nicola Leonard Hein and Gilbert Nouno: Dialogues with Improvising Machines: an Embodied Cross-Testing Workshop on Musical Agents
Lübeck University of Music: Ehemalige Bundesbank, Schalterhalle Holstentorplatz 2, Lübeck, GermanyThis 2.5-hour workshop examines four musical agent systems through a structured process of presentation, performance, collective listening, and critical discussion. It addresses a central contemporary question in computer music: how the design of musical agents encodes particular modes of listening, interaction, and agency, and how these design choices shape musical practice.
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[Off-ICMC] Sound Bar: “Sono, ergo sum.” – I sound, therefore I am.
ligeti center, Production Lab (10th floor) Veritaskai 1, Hamburg, NY, GermanyThe Soundbar is a performative pop-up bar that brings together socializing, drinks, and jam sessions. It serves as a workshop and experimental space, offering an environment for exploring sound, finding inspiration, and connecting with others. What does your favorite drink sound like? Join us for Soundbar’s vibrant sound journeys. Let your glasses sing and discover new levels of sensory experience at the bar.
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[Off-ICMC] Experimental Reading: Harburg. Das Buch – Excursions in Voice, Photo & Music (German)
ligeti center, Production Lab (10th floor) Veritaskai 1, Hamburg, NY, GermanyAuthor Bärbel (Bascha) Wegner, photographer Steven Haberland, and musician Clarks Planet bring together text, images, and sound in a multi-layered exploration of the city of Harburg. Storytelling meets improvised music, photographs interact with sound and field recordings.
The familiar takes on new shapes, improvisation unfolds—opening up fresh perspectives on the neighborhood, not least from the vantage point of the Production Lab on the 10th floor.
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Evening Concert 5B (Lübeck)
Lübeck University of Music: Großer Saal Große Petersgrube 21, Lübeck, GermanyComposers: Jeff Kaiser; Minho Kang; Eric Lyon; Ilia Viazov and Nicola Leonard Hein; Nicola Leonard Hein; Dong Zhou; Olivier Jambois
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Excursion: Departure (Return) to Hamburg
Pick-up Location (Lübeck Excursion | Return to Hamburg) Wallstraße 16, Lübeck, GermanyBuses returning to Hamburg will depart from Lübeck at 10:30 p.m on Friday, May 15.
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Installation | Healing Soundscapes (invited)
Hamburg University of Technology, Building J, Library (Rotunde) Denickestraße 22, Hamburg, GermanyHealing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Paper Session 11: Studio Reports I
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyThree studio reports will be presented. Authors: Takeyoshi Mori; José Ricardo Barboza and Gilberto Bernardes; Ludger Brümmer, Götz Dipper and Dan Wilcox
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Paper Session 12: Studio Reports II & Immersive Media
Hamburg University of Technology, Building H, Audimax 1 Am Schwarzenberg-Campus 5, Hamburg, GermanyTwo studio reports and one paper will be presented. Authors: Hefang Ma, Jingyu Luo, Paul Francis, Mara Helmuth, Sangbong Nam and Wei-Huai Chen; Pedro Rebelo and Craig Jackson; Guilherme Coelho
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[Off-ICMC] Workshop: Solder your very own synthesizer. An Introduction to Electronics and Soldering
Hamburg University of Technology, WorkINGLab Eißendorfer Straße 40, Building N, 2nd Floor, Hamburg, GermanyIn this workshop, you’ll discover the basics of soldering and get hands-on experience soldering cables and various electronic components. It will leave you well-prepared for future soldering and repair projects. And the best part? By the end, you’ll have a fully operational synthesizer that you built yourself!
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Listening Room 2
Hamburg University of Technology, Building A (A 0.14) Am Schwarzenberg-Campus 1, Hamburg, GermanyFixed media pieces by: Faming Qin; Varun Kishore; Chun-Han Huang; Nattakon Lertwattanaruk; Silvia Matheus; Paul Oehlers; Tekstil Nayaka Adinata and Muhammad Welderahmat; Keming Zeng; Yufen Qiu; 璟 李; Lluis Guerra Recas and Olivier Jambois
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Listening Room 1
Hamburg University of Technology, Building A (A 0.18) Am Schwarzenberg-Campus 1, Hamburg, GermanyFixed media pieces by: Giovanni Crovetto; Matteo Tomasetti, Francesco Casanova, Andrea Veneri, Vili Pääkkö and Andrea Strata; Ziwei Yang; Tolga Yayalar; Leonidas Spiliopoulos
Nicola Giannini; Neal Farwell; Mathieu Lacroix; Rikhardur H. Fridriksson; Daniel Mayer; Allison Ogden; Jan Jacob Hofmann; Vilbjørg Broch; Daniel Gomes; Aleksandar Zecevic and; Kiran Bhumber; Martin Heinze; Cristian Gabriele Argento
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Lunch Concert 6A
Hamburg University of Technology, Building I, Audimax 2 Denickestraße 22, Hamburg, GermanyComposers: Yisong Piao; Kerry Hagan; Marc Ainger; Tiffany Skidmore and Patti Cudd; Patti Cudd; Konstantinos Karathanasis; Zouning Liao
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INTREPID: Mittagskonzert #005 zur ICMC HAMBURG 2026
Technische Universität Hamburg, Gebäude I, Audimax 2 Denickestraße 22, Hamburg, GermanyDas letzte Mittagskonzert der ICMC HAMBURG 2026 bildet eine Brücke zwischen der tiefen Vergangenheit und der radikalen digitalen Zukunft.
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Installation Showcase
Hamburg University of Technology, Building H (H 0.03) Am Schwarzenberg-Campus 5, Hamburg, GermanyWorks by: Michael Trommer; Julian Rubisch; Xingxing Yang; Yuxin Chen; Emanuele Sara; Arne Eigenfeldt, Jim Bizzocchi and Simon Overstall; Yongwoo Lee
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Innovation Showcase
Hamburg University of Technology, Building H (H 0.02) Am Schwarzenberg-Campus 5, Hamburg, GermanyDemos by: Takayuki Rai and Haruka Hirayama; Walker Smith; Matthias Jung; Kieran McAuliffe et al.; Charles Hutchins and Shelly Knotts; Juliana Lüer et al.; Luca Morino, Nicola Conci and Fabio Cifariello Ciardi; Riccardo Mazza; Mohammad Sadeghi
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Evening Concert 6B
Friedrich-Ebert-Halle Alter Postweg 34, Hamburg, GermanyMusic by: James A. Moorer et al.; Nicolas Brochec; Yi-Tzu Huang; Sarah Proske; S. Ali Hosseini; Pierre Alexandre Tremblay
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INTREPID: Abendkonzert #004 zur ICMC HAMBURG 2026
Friedrich-Ebert-Halle Alter Postweg 34, Hamburg, GermanyDas letzte Abendkonzert der ICMC HAMBURG 2026 rückt ein monumentales Instrument in den Fokus, das eine Brücke zwischen jahrhundertealter Tradition und futuristischer Technologie schlägt: die Orgel der Friedrich-Ebert-Halle.
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Club Concert 6C (After Party)
Stellwerk Hamburg Hannoversche Straße 85, Hamburg, GermanyComposers: Dave O Mahony; Eric Honour; Fiona Xue Ju and Drew Farrar; Yue Zhang; Dennis Scheiba; Anqi Liu and Han Zhang; Qing Ye and Yuxue Zhou; Danilo Randazzo
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After Party
Stellwerk Hamburg Hannoversche Straße 85, Hamburg, GermanyJoin us in celebrating this year's ICMC in Hamburg! Following the final club concert, there will be an after party with DJs playing at Stellwerk Hamburg.
