Innovation, Translation, Participation
ICMC 2026 comes to Hamburg – a city shaped by music, technology, and exchange. Hosted by four Hamburg-based universities and anchored around the interdisciplinary ligeti center in Harburg, the conference invites new forms of collaboration, listening, and engagement in computer music.
ICMC Hamburg 2026
Program
[Off-ICMC] Installations and Performances: “Transition | Tension | Potential”
Opening Concert
Reception
Listening Room 2
Installation | Bill Parod & Teresa Parod: “The Elephants of Trianon”
Paper Session 2a: Music Information Retrieval
Paper Session 2b: AI & Music
Installation | Miles Friday: “Breathwork”
Installation | Zhao Jiajing: “Omniopticon”
Installation | Alessandro Anatrini & Alessandro Aresta: “Faulty Oracle”
Installation | Dahye Seo: “Unscored”
Installation | Henry Windish, Tristan Peng & Henrik von Coler: “MËSH”
Installation | Adriano C. Monteiro & Rafaela B. Pires: “DE/RE:GENERATION”
[Off-ICMC] Workshop: Code the Beat – Learn to Code through Music
Lunch Concert 1A
Introduction & Welcome to ICMC HAMBURG 2026
[Off-ICMC] Stilt Performance | Oakleaf Streetshow: Insect-o-lectic”
Keynote | Robert Henke: “My Life as a Toolmaking Artist: A Personal Reflection on the Challenges and Rewards of Building My Own Instruments”
Workshop | Serge Lemouton, Jacques Warnier, Malena Fouillou, and Laurent Pottier: Practical Documentation and Collaborative Preservation using Antony
[Off-ICMC] Concert: Nenad Nikolić – Accordeon meets Techno
Evening Concert 1B
Club Concert 1C
Installation | Finlay Graham: an egg with fouled neurons
Workshop | Weiyi Dai: From Objects to Soundscapes: Participatory Spatial Composition through Data-Driven Multimodal Systems
[Off-ICMC] Workshop: Music without Touch – Build your own Theremin!
Workshop | Henry Windish, Tristan Peng and Henrik von Coler: Working with MËSH: Advanced Tools and Strategies for Networked Instruments in Music and Sound Art
Paper Session 4b: Physiological and Physical Foundations of Creative Systems II
Installation | Miles Friday: “Breathwork”
Installation | Alessandro Anatrini & Alessandro Aresta: “Faulty Oracle”
Listening Room 1
Paper Session 4a: Music Notation & Representation II
Listening Room 2
Installation | Dahye Seo: “Unscored”
Installation | Bill Parod & Teresa Parod: “The Elephants of Trianon”
[Off-ICMC] Workshop: Creating Sounds with Fruit and Vegetables
Installation | Zhao Jiajing: “Omniopticon”
Installation | Henry Windish, Tristan Peng & Henrik von Coler: “MËSH”
Installation | Adriano C. Monteiro & Rafaela B. Pires: “DE/RE:GENERATION”
Lunch Concert 2A
[Off-ICMC] Workshop: Creating Sounds with Fruit and Vegetables
Keynote | Falk Hübner: “The artist-researcher as a connector in times of crises: Some questions to computer music”
Workshop | Thomas Meckel, Dennis Scheiba and Moritz Wesp: SONA – Audio-VR
Panel A: Physiological and Physical Foundations of Creative Systems
Evening Concert 2B
[Off-ICMC] Ctrl+Alt+Music: The Science Slam on Music in the Digital Age
Club Concert 2C
zl!ster Performance | MËSH Installation
Paper Session 5a: Novel Concepts in 3D Audio
Paper Session 5b: AI, Machine Learning & Pedagogy
Workshop | Dennis Scheiba & Julian Rohrhuber: User = Developer: How to contribute to SuperCollider development
Listening Room 1
Listening Room 2
Installation | Pasquale Savignano: “SURROUNDINGS”
Paper Session 6a: Immersive Media & 3D Audio
Installation | Bill Parod & Teresa Parod: “The Elephants of Trianon”
Installation | Alessandro Anatrini & Alessandro Aresta: “Faulty Oracle”
Installation | Tina Tallon: “yammer”
Paper Session 6b: AI & Machine Learning
Installation | Miles Friday: “Breathwork”
Installation | Dahye Seo: “Unscored”
Workshop | Moritz Wesp, Eric Haupt and Victor Gelling: oscheat
[Off-ICMC] Interactive Installation | Anouk Kellner: “Airchoir inter/reactive”
Lunch Concert 3A
Workshop | Dan Wilcox: Introduction to Zirkonium3: ZKM’s Sound Spatialization Environment
Special Panel: Clarence Barlow
[Off-ICMC] Installation | Adriano C. Monteiro & Rafaela B. Pires: “DE/RE:GENERATION”
Piece & Paper Session
[Off-ICMC] Installation & Performance | Andrea Mancianti & Tom De Cock: “Autophagy III”
[Off-ICMC] Concert | Florentin Ginot: “Disturbance”
Club Concert 3C
Installation | Pasquale Savignano: “SURROUNDINGS”
Installation | Bill Parod & Teresa Parod: “The Elephants of Trianon”
Installation | Leon Eckard: “Urban Metabolism: der Mond”
Installation: Miles Friday: “Breathwork”
Installation | Dahye Seo: “Unscored”
Installation | Alessandro Anatrini & Alessandro Aresta: “Faulty Oracle”
Paper Session 8: Signal Processing II
Listening Room 1
Listening Room 2
[Off-ICMC] Rehearsal & Concert Visit for Families
Lunch Concert 4A
Keynote | Psyche Loui: Scales for Predictions, Creativity, and Music-Based Interventions
Paper Session 9: Music & Health
Workshop | Robert Cole Rizzi: The Art of Listening – To Hamburg. A Participatory Soundwalk Workshop
Panel: Music, Technology and the Mind
[Off-ICMC] Radioballett | Körperfunkkollektiv: “Fragment”
Evening Concert 4B
MOVED: Fixed-Media Cinema Screening
Club Concert 4C
Excursion: Departure to Lübeck
Piece & Paper Session
Keynote | James Andy Moorer: History of Computer Music from Mathews to “Man in the Mangroves”
Workshop | Shelly Knotts, Daniel Ratliff and Lucy Whalley: Sonification and the Space In-Between: Bridging Scientific Inquiry and Musical Practice
Workshop | Pierre Alexandre Tremblay, Nicola Leonard Hein and Gilbert Nouno: Dialogues with Improvising Machines: an Embodied Cross-Testing Workshop on Musical Agents
[Off-ICMC] Sound Bar: “Sono, ergo sum.” – I sound, therefore I am.
[Off-ICMC] Experimental Reading: Harburg. Das Buch – Excursions in Voice, Photo & Music (German)
Evening Concert 5B (Lübeck)
Excursion: Departure (Return) to Hamburg
Paper Session 11: Studio Reports I
Listening Room 1
Listening Room 2
Paper Session 12: Studio Reports II
[Off-ICMC] Workshop: Solder your very own synthesizer. An Introduction to Electronics and Soldering
Lunch Concert 6A
Installation Showcase
Innovation Showcase
Evening Concert 6B
Club Concert 6C (After Party)
After Party
International Computer Music Conference 2026 – Hamburg
The International Computer Music Conference (ICMC) 2026 will take place in Hamburg, Germany, from May 10–16, 2026, bringing together composers, performers, researchers, and technologists from around the world to explore current practices and future directions in computer music and sound art.
ICMC 2026 is a collaborative effort by four Hamburg-based universities: the Hamburg University of Music and Drama (HfMT Hamburg), the Hamburg University of Applied Sciences (HAW Hamburg), the Hamburg University of Technology (TU Hamburg), and the University Medical Center Hamburg-Eppendorf (UKE) – as well as their jointly founded ligeti center. Named in honor of the Hungarian composer and former HfMT student György Ligeti, the interdisciplinary center bridges the arts, science, technology, and health in innovative projects, workshops, and performances that foster discourse and participation. Thus, the ligeti center’s core missions have inspired this year’s ICMC theme: Innovation, Translation, Participation.
The conference is primarily centered in the Harburg district, with events hosted at TU Hamburg, the ligeti center, and nearby cultural venues. Alongside a rich program of concerts, paper presentations, installations, workshops, and performances, ICMC HAMBURG 2026 revives the tradition of the Off-ICMC: a series of companion events designed for the broader public, engaging the local community in Harburg and the wider Hamburg metropolitan area.
Please check back in the coming weeks for updates on the ICMC HAMBURG 2026 schedule, keynote speakers, and special events.
