Between platforms 3 and 4 at Harburg railway station, the displays of the Kunstverein Harburger Bahnhof present materials and objects in transformation. They don’t show finished forms, but processes and…
42 events found.
Events
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6 events,Healing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Welcome to ICMC HAMBURG 2026! Showcasing pieces by Alexander Schubert, Nicole Brady, Anthony Paul De Ritis, Aigerim Seilova and Steffen Lohrey, and Clarence Barlow, the opening concert takes places at the Recital Hall of the iconic Elbphilharmonie.
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Das Eröffnungskonzert der International Computer Music Conference (ICMC) 2026 verbindet zeitgenössische Musik und experimentelle Klangforschung mit historischen Ansätzen der Computermusik. |
27 events,Healing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Three papers will be presented and discussed. Authors: Hyunmook Lim; Paulo C. Chagas; Andrea Agostini
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We’re kicking off the festival week at Hölertwiete near the Harburg Rathaus S-Bahn station. The Harburg Info center will serve as the festival hub for three days.
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Three papers will be presented and discussed. Authors: Axel Berndt, Aida Amiryan-Stein, Manuel Peters, Meinard Müller and Stefan Balke; Mário Pereira, António Sá Pinto, Treasa Harkin and Gilberto Bernardes, Gilberto Bernardes; Nádia Moura and António Sá Pinto
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Breathwork is a twelve-channel sound installation where loudspeakers become breathing bodies. Each loudspeaker is encased in an inflatable bag that swells and contracts in response to low-frequency drones, forming a slow, ever-shifting breath-like choreography.
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Faulty Oracle is an adaptive audiovisual installation that conjures a gloriously unreliable divinatory machine. Visitors pose questions through body language: gestures, movements, postures which the system interprets, misreads, and willfully transforms. In return, the oracle delivers cryptic animated answers, flickering between epiphany, nonsense, and hallucination.
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A camera installed on a balcony captures the live sky, converting it into generative sound in real time.
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Nuclear reactions in stars create a wide variety of chemical elements, starting from hydrogen — in Carl Sagan’s words, 'by a kind of stellar alchemy’. This process is known as stellar nucleosynthesis. Helium Burning is conceived as a generative system that addresses the affordances of such astronomical processes to explore timbral plasticity through digital sound synthesis in an 8-channel sound installation.
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Fixed media pieces by: Liuyang Tan and Tan Liuyang; Yiting Shao; Cristiano Riccardi; Yerim Han; Weijia Yang; Wanjun Yang; Jinwoong Kim; Talia Amar, Talia Amar and Talia Amar; Jingfan Guo; Shih-Lin Hung and Ju An Hsieh; Yunpeng Li; Qing Ye and Yuxue Zhou; Raphael Radna
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Fixed media pieces by: Ayako Sato; Chufan Zhang, Jun Wang and Qi Liu; Akiko Hatakeyama; Boyi Bai; Ed Osborn; Adrian Kleinlosen; Yu Linke
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The Elephants of Trianon is an augmented-reality audiovisual installation that extends a series of public murals into an interactive spatial sound environment. The original work consists of ten adjacent murals painted on garage doors in a public alley in Evanston, Illinois, USA.
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Three papers will be presented and discussed. Authors: Hiroshi Yamato OrbitScore; Piero Poli; Minami Kojima, Takayuki Itoh and Rafael Ramirez
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Omniopticon invites visitors to step inside a constantly shifting field of sound.
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MËSH is an immersive, networked music and media system that blends interactive installation with live performance. Developed since 2019, MËSH uses a distributed array of interactive nodes to create a responsive audiovisual environment. Depending on the venue, installations range from 4 to 16 interconnected nodes communicating over a wireless local network.
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De/Re:Generation stems from a speculative question: would cicadas sense acoustic information during the up to 17 years they live underground, before emerging from the soil for a brief adult phase marked by intense acoustic display? From this perspective, the installation approaches sound not only as an auditory phenomenon, but as something sensed through the body, making vibration and tactile perception central to the experience.
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In this workshop, you will compose your own music using the program Sonic Pi. Are you passionate about music? Discover a new form of expression while learning to code.
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Pieces by: Sever Tipei; Michael Edwards; Rodrigo Cadiz and Thierry Miroglio; Sunhuimei Xia; Zoe Yi-Cheng Lin; Deniz Çağlarcan; Jeffrey T.V.
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Dieses erste Mittagskonzert bietet einen Einblick in die aktuelle internationale Computermusik-Szene. Das Besondere an diesem Konzert ist die persönliche Präsenz der Kunstschaffenden.
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ICMC HAMBURG 2026 welcomes this year's conference community to Hamburg. On this first full conference day, the team shares a few words about the week's program before Robert Henke gives his keynote about his life as a toolmaking artist.
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Robert Henke examines selected works of his from a critical toolmaker’s perspective: did he reinvent the wheel again, or did he achieve an artistic outcome which justifies the effort?
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A combination of stilt dancing, body percussion, and cutting-edge sound technology. The street performance group Oakleaf Streetshow is headed to Harburg with an interactive walking act. Bizarre, colorful creatures on stilts buzz through the crowd—creatures that not only look like beetles but sound like them, too.
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The goal of this hands-on workshop is to show, for the first time in an international context, the Antony system, now in its final state and fully functional.
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Nenad Nikolić was born in Serbia and has always been fascinated by his father and grandfather’s accordion playing. But mechanical sounds are from the past. Nenad plays without backing tracks, performing every single tone live—from “tango to techno.” Don’t miss this chance to see him push the boundaries of his instrument with his electronic accordion.
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Artists: Richard Dudas; Vincenzo Russo; Rikako Kabashima; Jean-François Charles and Ramin Roshandel; Kotoka Suzuki and Michael Murphy; Yu Chung Tseng; João Pedro Oliveira
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Dieses Abendkonzert markiert eine besondere Zusammenarbeit zwischen der internationalen ICMC-Gemeinschaft und der Hamburger Musikszene.
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Composers: Keisuke Yagisawa; Riccardo Ancona; Brian Lindgren; Riccardo Mazza; John C.S. Keston; Nicola Leonard Hein and Viola Yip; Kasey Pocius |
31 events,Healing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Three papers will be presented and discussed. Authors: Tianze Zhang, Shingyui He and Lei Xuan; Juan Carlos Vasquez and Zhonghao Chen; Rob Canning
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Three papers will be presented and discussed. Authors: Amir Abbas Orouji, Ayoub Banoushi and Gilberto Bernardes; Nikolaus Knop; Ruby Crocker, Lucas Ong and George
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This workshop offers hands-on experience with Full House, a multimodal soundscape system designed specifically for participatory spatial composition. Through a real time data driven architecture, the system transforms the manipulation of physical objects into continuous spatial sound and visual processes.
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Three papers will be presented and discussed. Authors: Rodrigo Cadiz; Solomiya Moroz, Nicolo Merendino and Massimo Sterlino; Orm Finnendahl
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Come and let your creativity run free at our composition workshop. We’ve got plenty of small musical instruments and a loop station ready for you. Play a fruit and vegetable piano, record sounds and play them back, and discover how to create your own beats.
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No keys, strings, or even physical contact: In this workshop, you’ll have the opportunity to build your own theremin using electronic components.
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Three papers will be presented and discussed. Authors: Rolf Bader and Simon Linke; Tim Ziemer; Simon Linke, Rolf Bader and Robert Mores
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Breathwork is a twelve-channel sound installation where loudspeakers become breathing bodies. Each loudspeaker is encased in an inflatable bag that swells and contracts in response to low-frequency drones, forming a slow, ever-shifting breath-like choreography.
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Faulty Oracle is an adaptive audiovisual installation that conjures a gloriously unreliable divinatory machine. Visitors pose questions through body language: gestures, movements, postures which the system interprets, misreads, and willfully transforms. In return, the oracle delivers cryptic animated answers, flickering between epiphany, nonsense, and hallucination.
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A camera installed on a balcony captures the live sky, converting it into generative sound in real time.
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This workshop introduces MESH, a portable, wireless system for distributed music performance and interactive installation. Designed as a flexible alternative to infrastructure-heavy networked ensembles, MESH enables performers to create spatially distributed musical systems using compact, self-contained nodes that communicate over a wireless network.
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Fixed media pieces by: Sam Wells; Zihan Wang and Wenxin Zhou; Robert Sazdov ; Sebastiano Naturali; Yunze Mu; Clemens von Reusner; Youngjae Cho; Primrose Ohling; Iván Ferrer-Orozco; Andrea Laudante, Paolo Montella and Giuseppe Pisano; Teerath Majumder; Yu Qin; Wei Yang; Gabriel Araújo; James Harley; Raul Masu and Francesco Ardan Dal Ri
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Fixed media pieces by: Hyewon Kim; Rodney Waschka; Chun-Han Huang; Vadim D. Genin; Adam Stanovic; Takumi Harada; Ziyu Pang; Ray Tsai; Giancarlo Alfonso
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The Elephants of Trianon is an augmented-reality audiovisual installation that extends a series of public murals into an interactive spatial sound environment. The original work consists of ten adjacent murals painted on garage doors in a public alley in Evanston, Illinois, USA.
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an egg with fouled neurons is a variable duration installative performance on a synthesizer fully coded by the composer in MaxMSP which utilizes a post-tonal framework to transform large harmonic sets, preserving the fidelity of harmonic intervals while transforming harmonic identity, allowing for movement through a complex harmonic pattern.
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Omniopticon invites visitors to step inside a constantly shifting field of sound.
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MËSH is an immersive, networked music and media system that blends interactive installation with live performance. Developed since 2019, MËSH uses a distributed array of interactive nodes to create a responsive audiovisual environment. Depending on the venue, installations range from 4 to 16 interconnected nodes communicating over a wireless local network.
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De/Re:Generation stems from a speculative question: would cicadas sense acoustic information during the up to 17 years they live underground, before emerging from the soil for a brief adult phase marked by intense acoustic display? From this perspective, the installation approaches sound not only as an auditory phenomenon, but as something sensed through the body, making vibration and tactile perception central to the experience.
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Music by: Salvatore Siriano; Huixin Xue; Benjamin Broening; Wan Heo; Jonathan Wilson; Christopher Dobrian; Mark Whitlam
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Das zweite Mittagskonzert der ICMC HAMBURG 2026 führt die Zuhörer:innen auf eine Reise durch verschiedene Kulturen und technologische Ansätze.
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Come and let your creativity run free at our composition workshop. We’ve got plenty of small musical instruments and a loop station ready for you. Play a fruit and vegetable piano, record sounds and play them back, and discover how to create your own beats.
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In this lecture, Falk Hübner will offer various examples of such socially engaged artistic research projects, and discuss the persona of the artist-researcher as a "connector" and the methodological consequences such a positionality implies. From this perspective, he develops a series of questions to the field of computer music, to explore and discuss bridges and potential connections between topics of socially engaged artistic research and the disciplines and discourses of (research in and through) computer music.
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The workshop combines a presentation and discussion of the artistic and technical background with a hands-on opportunity to test SONA – Diving in the Dark.
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This panel explores how artistic and creative systems can be understood through physiological and physical models of perception, cognition, and material interaction.
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Das zweite Abendkonzert der ICMC HAMBURG 2026 verspricht ein besonderes Erlebnis für Augen und Ohren.
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Composers: Riccardo Dapelo; Ching Lam Chung; Yongbing Dai and Yiping Bai; Nicolas Kummert; Jean-Francois and Charles Ramin Roshandel; Franz Danksagmüller
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Curtain up for new sounds, science, and research! At our Science Slam, the field of computer music is presented in clear, engaging, and entertaining talks. Speakers have ten minutes to try to score as many points as possible using PowerPoint presentations and (live) music. The audience decides who wins.
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Composers: Fernando Lopez-Lezcano; Jules Rawlinson; Atsushi Tadokoro; Nicola Casetta; Julian Green; Doron Klant Sadja; Aaron Einbond; Claudia Robles Angel
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27 events,Healing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Three papers will be presented and discussed. Authors: Jeff Kaiser and Gregory Taylor; Nicolas Brochec and Jean-Louis Giavitto; Minami Kojima, Takayuki Itoh and Rafael Ramirez
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Three papers will be presented and discussed. Authors: Laura Call Gomez, Gabriel Decker, Jayson Faupel, Aditya Rajesh Pawar, Jacob Westerstahl, Henrik von Coler; Teresa Carrasco; Mauro Cantonetti, Paolo Malpeli, Alessandro Anatrini
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Three papers will be presented and discussed: Giovanni Roma and Alba Francesca Battista; Abhirup Saha, Hans-Ulrich Berendes, Meinard Müller and Ben Maman; Yu Foon Darin Chau and Andrew Horner
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Two papers will be presented and discussed. Authors: Felipe Otondo and Leonardo Santos; Yu Chia Kuo
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Faulty Oracle is an adaptive audiovisual installation that conjures a gloriously unreliable divinatory machine. Visitors pose questions through body language: gestures, movements, postures which the system interprets, misreads, and willfully transforms. In return, the oracle delivers cryptic animated answers, flickering between epiphany, nonsense, and hallucination.
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Breathwork is a twelve-channel sound installation where loudspeakers become breathing bodies. Each loudspeaker is encased in an inflatable bag that swells and contracts in response to low-frequency drones, forming a slow, ever-shifting breath-like choreography.
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A camera installed on a balcony captures the live sky, converting it into generative sound in real time.
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SuperCollider, being a free and open-source project, stands in contrast to non-open projects in that it doesn’t impose technical and legal barriers to users accessing and modifying its inner workings.
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Fixed media pieces by: Mikel Kuehn; Joan Tan; Taito Fushimi; Andreas Weixler; Wonseok Choi; Hector Bravo Benard; Tom Bañados Russell; Felipe Tovar-Henao; Kim Hedås; Sean Peuquet; Juan Carlos Vasquez; Wen-Chia Lien; Tomás Koljatic S.; David Nguyen; Hanae Azuma; Jong Gyun Kim
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Fixed media pieces by: Jeonghun Hyun; Thanos Polymeneas-Liontiris; Ray Tsai; Juan J.G. Escudero; Emilio Casaburi; Yi-Hsien Chen; Pingting Xiao; Xiaoyu Su; Pak Hei Leung
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SURROUNDINGS is a site-specific sound installation that transforms walking, listening, and spatial memory into a continuously unfolding sonic environment. The work is built from GPS-tracked field recordings captured through attentive movement in and around the exhibition site.
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The Elephants of Trianon is an augmented-reality audiovisual installation that extends a series of public murals into an interactive spatial sound environment. The original work consists of ten adjacent murals painted on garage doors in a public alley in Evanston, Illinois, USA.
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yammer is an interactive audio installation and performance environment that questions the ambiguities and limitations inherent in attempts to describe and represent music and other complex human expressive sonic events using commonplace ontologies in audio classification systems and large language models.
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oscheat is a work-in-progress multi-user interface based on OSC. Its purpose is to simplifyand formalise shared, real-time control of musical parameters across an ensemble. Instead of separating instruments by performer, oscheat functions as a collective parameter space in which all participants can change each other’s instrument sound generation, spatialization, tonal systems or rhythmic structures.
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The interactive sound installation Airchoir consists of eight inflatable figures that breathe in and out like living lungs. Their voices are heard through the organ pipes to which they are connected. Like a choir, they come together to form a multi-layered soundscape that constantly changes with the movement of the visitors.
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Composers: Juan Vassallo; Yoonjae Choi; Heloise Garry; Masatsune Yoshio and Athushi Mori; Mikako Mizuno; Jeffrey T.V.; Jian Feng
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Dieses Mittagskonzert bietet eine faszinierende Bühne für Steinway Spirio – das weltweit fortschrittlichste Selbstspielsystem für Flügel.
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Zirkonium is a free spatialized sound environment for the ZKM | Hertzlab, formerly ZKM | Institute for Music and Acoustics, which wraps various spatialization algorithms and abstracted speaker layouts with a path sequencing interface designed for composers in mind.
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Three pieces & papers will be presented. Composers/authors: Xiangbin Lin; Kyle Smith; Nikos Baskozos
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Panelists: Fabian Czolbe, Bernd Härpfer, John Chowning, Anne Wellmer; Moderator: Georg Hajdu
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De/Re:Generation stems from a speculative question: would cicadas sense acoustic information during the up to 17 years they live underground, before emerging from the soil for a brief adult phase marked by intense acoustic display? From this perspective, the installation approaches sound not only as an auditory phenomenon, but as something sensed through the body, making vibration and tactile perception central to the experience.
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Autophagy III is a participatory installation that visitors can walk through and interact with: the interplay of small percussion instruments, sixteen suspended sound sources, and an interactive lighting system creates an immersive soundscape.
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“Disturbance” is an audiovisual solo performance that blends elements of concert, video art, and theater. With his double bass and analog synthesizers, Florentin Ginot invites the audience on a live nocturnal journey. Past and present collide with ghostly glitches and pulsating electronic rhythms.
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Composers: Fernando Egido; Juan Arturo Parra Cancino; Jonathan Wilson; Enrique Tomás and Moisés Horta Valenzuela; Se-Lien Chuang and Andreas Weixler; Oscar Corpo; Rob Canning; Denis Polec Vocal |
27 events,Healing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Three papers will be presented and discussed. Authors: Adriano C. Monteiro and Rafaela B. Pires; Guanjun Qin, Yunxuan Jia and Neal Farwell; Sitong Wu and Jinshuo Feng
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Three papers will be presented and discussed. Authors: Neal Anderson and Sanjay Majumder; Sam Pluta and Ted Moore; Tian Cheng, Tomoyasu Nakano and Masataka Goto
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This workshop introduces Oscilla, a browser-based framework for animated, cue-driven graphic scores in which performance semantics are embedded directly into SVG notation. Rather than separating score, control system, and playback environment, Oscilla treats the score as a single executable surface—authored visually in Inkscape and enacted in real time via a lightweight browser runtime.
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Two papers will be presented and discussed. Authors: Alexandre Francois; Robert Esler; Jeremy Hyrkas
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Breathwork is a twelve-channel sound installation where loudspeakers become breathing bodies. Each loudspeaker is encased in an inflatable bag that swells and contracts in response to low-frequency drones, forming a slow, ever-shifting breath-like choreography.
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A camera installed on a balcony captures the live sky, converting it into generative sound in real time.
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Fixed media pieces by: Zoe Yi-Cheng Lin; Yuming Sun; Shunhang Huang; Takeyoshi Mori; Chi Wang; John Thompson; Woon Seung Yeo and Ji Won Yoon; Xingle Zhang; Bike Öner; Tom Williams; Genoël von Lilienstern; Jingyu Luo; Justyna Tobera; Ouyang Mingshan
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Fixed media pieces by: Felipe Otondo; Yu-Cheng Huang; Leo Cicala; Chen Mu Hsi; Ye Peng; He Jing; Ray Fields; Antonio Scarcia; Lia Su; Seongah Shin; Guanjun Qin
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SURROUNDINGS is a site-specific sound installation that transforms walking, listening, and spatial memory into a continuously unfolding sonic environment. The work is built from GPS-tracked field recordings captured through attentive movement in and around the exhibition site.
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The Elephants of Trianon is an augmented-reality audiovisual installation that extends a series of public murals into an interactive spatial sound environment. The original work consists of ten adjacent murals painted on garage doors in a public alley in Evanston, Illinois, USA.
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Urban Metabolism: Der Mond is a cybernetic performance and sound installation that recontextualizes the sociological framework of Urban Metabolism into the domain of electroacoustic improvisation.
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Faulty Oracle is an adaptive audiovisual installation that conjures a gloriously unreliable divinatory machine. Visitors pose questions through body language: gestures, movements, postures which the system interprets, misreads, and willfully transforms. In return, the oracle delivers cryptic animated answers, flickering between epiphany, nonsense, and hallucination.
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What does contemporary music sound like? What happens during the rehearsals? And what challenges might occur? We’ll look into these questions during rehearsal and concert visit for families.
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Composers: Francesco Perissi and Giovanni Magaglio; Natsuki Kambe; Rodrigo Pascale; Roberto Cipollina; Henrik von Coler; Yao Hsiao; Cecilia Suhr
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Dieses Mittagskonzert markiert einen herausragenden Moment der Zusammenarbeit zwischen der lokalen Hamburger Musikszene und internationalen Komponist:innen.
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Music unites listeners through shared predictions and reward. At the heart of this process is the musical scale—a designed object that quantizes pitch into structures capable of generating and fulfilling expectation. A survey of the world’s scales reveals five core design features and a single overarching dimension of enculturation, ranging from deeply familiar tonal systems to entirely novel sonic environments.
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Two papers will be presented and discussed. Authors: Yunze Mu, Lorna Segall and Zhixin Xu; Sophie Rose
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How does the world sound when we truly listen? In this participatory workshop, participants explore their sonic environment through attentive listening, simple drawing, poetry, and playful composition — no musical experience required.
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Panelists: Lars Rye Bertelsen, Pia Preißler, Miriam Akkermann, Li Xiaobing, and Li Zhong
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Radioballett is an interactive performance that draws you into another world through wireless headphones, where you and other participants can actively shape the space together. The piece “Fragment” explores the boundaries between private and public life through human experiences in both real and virtual worlds. It invites everyone to reflect on the balance between digital and “offline” existence and to engage with the interplay between social interaction and online networks.
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Composers: Joshua Rodenberg and Fumiaki Odajima; Lidia Zielinska; Zihan Wang; Howard Kenty; Naotoshi Osaka; Yixuan Zhao; Javier Alejandro Garavaglia; Danni Zhao and Congren Dai
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Dieser Konzertabend präsentiert die gesamte Bandbreite zeitgenössischer Computermusik in kammermusikalischer Besetzung.
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Due to unforeseen organizational reasons, the Metropolis cinema remains closed until May 15, 2026. All scheduled fixed media pieces have been moved to Listening Rooms and Concerts. The film screening of The Man in the Mangroves counts to Sleep by James A. Moorer et al. will be shown during the Evening Concert 6B on May 16, 2026.
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Composers: Gintas Kraptavicius; Calvin McCormack; Jonathan Impett; Moritz Wesp, Eric Haupt and Victor Gelling; Paulo C. Chagas; Cat Hope and Juan Parra Cancino; Andrew Loveless |
13 events,Healing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Three papers will be presented and discussed. Authors: Fabian Ostermann; Eun Ji Oh, Jun Woo Beck and Alexandria Smith; Penelope Bekiari and Anastasia Georgaki
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Three papers will be presented and discussed. Authors: Bob Sturm and Elin Kanhov; Ling Qi, Teng Ma and Alexandria Smith; Changda Ma et al. Buses to Lübeck depart from Hamburg University of Technology at 10 a.m. on Friday. Please note that, due to limited seating capacity, only participants who have registered for the Lübeck excursion will be able to join.
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Four pieces & papers will be presented. Composers/authors: Christopher Trapani; Jocelyn Ho et al.; Xiangbin Lin; Yuan Zhang and Xinran Zhang
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The origins of computer music promised unlimited freedom for composers to make music using sounds that no acoustic instrument could make. This freedom comes with a price.
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This workshop explores the rich interdisciplinary space that lies between computer music composition and scientific inquiry, focusing on sonification as a shared methodology, bridging between disciplines, rather than a discipline-specific technique.
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This 2.5-hour workshop examines four musical agent systems through a structured process of presentation, performance, collective listening, and critical discussion. It addresses a central contemporary question in computer music: how the design of musical agents encodes particular modes of listening, interaction, and agency, and how these design choices shape musical practice.
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The Soundbar is a performative pop-up bar that brings together socializing, drinks, and jam sessions. It serves as a workshop and experimental space, offering an environment for exploring sound, finding inspiration, and connecting with others. What does your favorite drink sound like? Join us for Soundbar’s vibrant sound journeys. Let your glasses sing and discover new levels of sensory experience at the bar.
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Author Bärbel (Bascha) Wegner, photographer Steven Haberland, and musician Clarks Planet bring together text, images, and sound in a multi-layered exploration of the city of Harburg. Storytelling meets improvised music, photographs interact with sound and field recordings. The familiar takes on new shapes, improvisation unfolds—opening up fresh perspectives on the neighborhood, not least from the vantage point of the Production Lab on the 10th floor.
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Composers: Jeff Kaiser; Minho Kang; Eric Lyon; Ilia Viazov and Nicola Leonard Hein; Nicola Leonard Hein; Dong Zhou; Olivier Jambois Buses returning to Hamburg will depart from Lübeck at 10:30 p.m on Friday, May 15. |
15 events,Healing Soundscapes are developed and implemented for waiting and working areas in the University Medical Center Hamburg-Eppendorf.
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Three studio reports will be presented. Authors: Takeyoshi Mori; José Ricardo Barboza and Gilberto Bernardes; Ludger Brümmer, Götz Dipper and Dan Wilcox
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Two studio reports and one paper will be presented. Authors: Hefang Ma, Jingyu Luo, Paul Francis, Mara Helmuth, Sangbong Nam and Wei-Huai Chen; Pedro Rebelo and Craig Jackson; Guilherme Coelho
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In this workshop, you’ll discover the basics of soldering and get hands-on experience soldering cables and various electronic components. It will leave you well-prepared for future soldering and repair projects. And the best part? By the end, you’ll have a fully operational synthesizer that you built yourself!
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Fixed media pieces by: Giovanni Crovetto; Matteo Tomasetti, Francesco Casanova, Andrea Veneri, Vili Pääkkö and Andrea Strata; Ziwei Yang; Tolga Yayalar; Leonidas Spiliopoulos Nicola Giannini; Neal Farwell; Mathieu Lacroix; Rikhardur H. Fridriksson; Daniel Mayer; Allison Ogden; Jan Jacob Hofmann; Vilbjørg Broch; Daniel Gomes; Aleksandar Zecevic and; Kiran Bhumber; Martin Heinze; Cristian Gabriele Argento
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Fixed media pieces by: Faming Qin; Varun Kishore; Chun-Han Huang; Nattakon Lertwattanaruk; Silvia Matheus; Paul Oehlers; Tekstil Nayaka Adinata and Muhammad Welderahmat; Keming Zeng; Yufen Qiu; 璟 李; Lluis Guerra Recas and Olivier Jambois
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Composers: Yisong Piao; Kerry Hagan; Marc Ainger; Tiffany Skidmore and Patti Cudd; Patti Cudd; Konstantinos Karathanasis; Zouning Liao
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Das letzte Mittagskonzert der ICMC HAMBURG 2026 bildet eine Brücke zwischen der tiefen Vergangenheit und der radikalen digitalen Zukunft.
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Works by: Michael Trommer; Julian Rubisch; Xingxing Yang; Yuxin Chen; Emanuele Sara; Arne Eigenfeldt, Jim Bizzocchi and Simon Overstall; Yongwoo Lee
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Demos by: Takayuki Rai and Haruka Hirayama; Walker Smith; Matthias Jung; Kieran McAuliffe et al.; Charles Hutchins and Shelly Knotts; Juliana Lüer et al.; Luca Morino, Nicola Conci and Fabio Cifariello Ciardi; Riccardo Mazza; Mohammad Sadeghi
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Music by: James A. Moorer et al.; Nicolas Brochec; Yi-Tzu Huang; Sarah Proske; S. Ali Hosseini; Pierre Alexandre Tremblay
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Das letzte Abendkonzert der ICMC HAMBURG 2026 rückt ein monumentales Instrument in den Fokus, das eine Brücke zwischen jahrhundertealter Tradition und futuristischer Technologie schlägt: die Orgel der Friedrich-Ebert-Halle.
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Composers: Dave O Mahony; Eric Honour; Fiona Xue Ju and Drew Farrar; Yue Zhang; Dennis Scheiba; Anqi Liu and Han Zhang; Qing Ye and Yuxue Zhou; Danilo Randazzo Join us in celebrating this year's ICMC in Hamburg! Following the final club concert, there will be an after party with DJs playing at Stellwerk Hamburg. |
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