Installation

Breathwork is a twelve-channel sound installation where loudspeakers become breathing bodies. Each loudspeaker is encased in an inflatable bag that swells and contracts in response to low-frequency drones, forming a slow, ever-shifting breath-like choreography.

Faulty Oracle is an adaptive audiovisual installation that conjures a gloriously unreliable divinatory machine. Visitors pose questions through body language: gestures, movements, postures which the system interprets, misreads, and willfully transforms. In return, the oracle delivers cryptic animated answers, flickering between epiphany, nonsense, and hallucination.

A camera installed on a balcony captures the live sky, converting it into generative sound in real time.

Nuclear reactions in stars create a wide variety of chemical elements, starting from hydrogen — in Carl Sagan’s words, 'by a kind of stellar alchemy’. This process is known as stellar nucleosynthesis. Helium Burning is conceived as a generative system that addresses the affordances of such astronomical processes to explore timbral plasticity through digital sound synthesis in an 8-channel sound installation.

The Elephants of Trianon is an augmented-reality audiovisual installation that extends a series of public murals into an interactive spatial sound environment. The original work consists of ten adjacent murals painted on garage doors in a public alley in Evanston, Illinois, USA.

Omniopticon invites visitors to step inside a constantly shifting field of sound.

MËSH is an immersive, networked music and media system that blends interactive installation with live performance. Developed since 2019, MËSH uses a distributed array of interactive nodes to create a responsive audiovisual environment. Depending on the venue, installations range from 4 to 16 interconnected nodes communicating over a wireless local network.

De/Re:Generation stems from a speculative question: would cicadas sense acoustic information during the up to 17 years they live underground, before emerging from the soil for a brief adult phase marked by intense acoustic display? From this perspective, the installation approaches sound not only as an auditory phenomenon, but as something sensed through the body, making vibration and tactile perception central to the experience.

Breathwork is a twelve-channel sound installation where loudspeakers become breathing bodies. Each loudspeaker is encased in an inflatable bag that swells and contracts in response to low-frequency drones, forming a slow, ever-shifting breath-like choreography.

Faulty Oracle is an adaptive audiovisual installation that conjures a gloriously unreliable divinatory machine. Visitors pose questions through body language: gestures, movements, postures which the system interprets, misreads, and willfully transforms. In return, the oracle delivers cryptic animated answers, flickering between epiphany, nonsense, and hallucination.

A camera installed on a balcony captures the live sky, converting it into generative sound in real time.

The Elephants of Trianon is an augmented-reality audiovisual installation that extends a series of public murals into an interactive spatial sound environment. The original work consists of ten adjacent murals painted on garage doors in a public alley in Evanston, Illinois, USA.

an egg with fouled neurons is a variable duration installative performance on a synthesizer fully coded by the composer in MaxMSP which utilizes a post-tonal framework to transform large harmonic sets, preserving the fidelity of harmonic intervals while transforming harmonic identity, allowing for movement through a complex harmonic pattern.

Omniopticon invites visitors to step inside a constantly shifting field of sound.

MËSH is an immersive, networked music and media system that blends interactive installation with live performance. Developed since 2019, MËSH uses a distributed array of interactive nodes to create a responsive audiovisual environment. Depending on the venue, installations range from 4 to 16 interconnected nodes communicating over a wireless local network.

De/Re:Generation stems from a speculative question: would cicadas sense acoustic information during the up to 17 years they live underground, before emerging from the soil for a brief adult phase marked by intense acoustic display? From this perspective, the installation approaches sound not only as an auditory phenomenon, but as something sensed through the body, making vibration and tactile perception central to the experience.